Photo Credits: Sophie Carles

Mystery 71 | OMMA by Josef Nadj


Eight dancers from Africa, the world’s oldest and most mystical continent, take us on a journey to the ancient roots of Dance and our deepest selves. The internationally renowned choreographer, Josef Nadj, visits Elefsina and presents the performance “OMMA”, demonstrating that “dance was born along with humanity”. 

Eleusis 2023 European Capital of Culture and the Aeschylia Festival present the Greek premiere of the “OMMA” performance, by the internationally renowned choreographer, Josef Nadj, on September 15 & 16, at the Old Olive Mill Open Theater in Elefsina. 

Breathing, voices, silence and intoxicating jazz rhythms compose the eerie atmosphere of “OMMA,” guiding the audience through a journey of self-knowledge, as primal as the very nature of dance itself. For Josef Nadj, it is essential that the performance is about bodies and movement, retaining only what is necessary. This principle of simplicity extends to all elements that make up “OMMA.” On the bare stage, the bodies of eight dances, the sound and the lighting are enough to offer the audience a breathtaking experience.

The title of the performance comes from the ancient Greek word “omma” (ὄμμα) and explores something very essential: the ability to watch, through the sense of sight, and everything that happens during the deeper introspection of the self. In an empty space that is both infinite and finite, eight men dance together, representing a kind of humanity. Each one carries his own universe, and the composition of the movements creates a cosmogony that narrates the beginning of creation. 

Photo Credits: Sophie Carles

A few words about the project

Eight dancers take to the stage, wearing suit jackets and black trousers, as a reference to the timeless silhouette of Josef Nadj. By lending them his attire, the award-winning choreographer challenges each dancer to not follow in his footsteps, but to reveal their own uniqueness. 

In OMMA, Nadj brings together a group of dancers from Mali, Senegal, Côte d’Ivoire, Burkina Faso, Congo-Brazzaville and the Democratic Republic of the Congo, creating a project with influences from various artistic movements, cultures and human stories. Together they form a single body. A multi-cell organism, through which each of them reveals his own language, his own identity, his own dance: a fascinating feedback loop between the group and the individual is born, inevitably guiding us to man as a universal being.

Photo Credits: Severine Charrier

Can a performance be called organic? OMMA undoubtedly returns to the roots of dance, with movement as its substance and the universe as its horizon. In other words, OMMA is a search for the origins of dance, seeking to prove Josef Nadj’s hypothesis that dance was born along with humanity. If this is so, does not returning to the source of dance and movement equate to returning to the origin of the universe? With this in mind, the choreographer shapes the raw materials provided by his dancers and constructs—along with them and their body—a dance that is common, multidimensional and universal

Nadj takes his dancers on a journey to the roots of dance, where the balance of the universe is revealed. Reflecting the cycle of life, OMMA explores something essential: our ability to see what lies ahead, so that we may better see what lies deep within us, in a common destiny. This way, the ancient Greek meaning of the word OMMA acquires a new meaning: “eye” but also “that which sees or looks.” Therein lies an invitation to keep our senses alert, so that we may better understand this dance, dedicated to the genesis of humanity.

Check the video teaser of the performance here:


Choreography and Costumes: Josef Nadj
Dancers:  Djino Alolo Sabin, Timothé Ballo, Abdel Kader Diop, Aipeur Foundou, Bi Jean Ronsard Irié,  Jean-Paul Mehansio, Marius Sawadogo, Boukson Séré
Artistic collaboration: Ivan Fatjo
Lighting: Rémi Nicolas
Soundtrack: Tatsu Aoki & Malachi Favors Maghostut, Peter Brötzmann & Han Bennink, Eureka Brass Band, Jigsaw, Lucas Niggli, Peter Vogel 
Technical direction: Sylvain Blocquaux
Sound engineer: Ivan Fatjo
Production & Touring:  Bureau PLATÔ – Séverine Péan, Emilia Petrakis
Production Manager: Atelier 3+1

Performance Info:
Venue: Old Olive Mill Open Theater
Date: September 15 & 16, 2021
Suitable for children and adults over 14 years old
Duration: 55 minutes 

General Admission: 10€ | Reduced: 5€

Tickets Pre-Sale
-K.E.D.E. Offices (Pagkalou & Kimonos 11, Elefsina): Monday – Friday 09:00-18: 00 & Saturday 09:00-13:00
-Old Olive Mill Open Theater, Elefsina: 19:00-21:00 and exclusively for the performances of the same day
-Heroes Square (Elefsina): Sunday – Friday 19:00 – 23:00
-Online, through

To ensure public health, the entrance to the show will take place exclusively with:
-Valid Vaccination Certificate (activated 14 days after the second dose of vaccine or 14 days after the single dose vaccine)
-Valid Disease Certificate (issued 30 days after the positive test and valid for 180 days)
-Negative PCR test (72 hours) or rapid test (48 hours) before the event.
-Only spectators under the age of 18 can enter with a self-test (24 hours), signed by a parent and a registered statement through Handwritten certificates will not be accepted.

Spectators who do not meet one of the above conditions will not be allowed to enter

With the support of: