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Aimilia Liontou | Stepping Stones

Aimilia Liontou (ΑΤ)Stepping StonesIn situ InstallationConcrete, marble, found material from café/club IRIS In an attempt to reclaim the city’s memories of its multifaceted history,
Maria NikiforakiSkywaverSound & Movement PerformanceDuration: 20′ [21.10 – 21.30] “A sky choreography.A snake charmer, a melancholic boat song, wording bodies history through waves.” Conception,
Pegy ZaliWomen’s Whispers (1984-1985)InstallationMetal, stickers, sign, markes The installation “Women’s Whispers (1984-1985)” refers to the only independent feminist magazine of Elefsina, which holds the
“War is not only about patriotic hymns and pennants, or cursing at Mahmud Sultan, the salep seller and his whore the vizier, or about
Excerpts from folk songs of the Klephtai referring to the region of Dervenia and to Georgios Karaiskakis, phrases in Arvanitika preserved through local historical
“Chani Derveni was a transfer station during the Ottoman Rule, located in the roadway extending from Tripolitsia to Constantinople. The Tartar postmen of the
The small yet single port of Lepsina in the northwestern Saronic Gulf was the main transport station of raw materials, such as resin, tar,
The term “Megala Dervenia” describes the area between the mountain ranges extending between Thebes and the Isthmus of Corinth. During the Ottoman rule, the
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