{"id":8353,"date":"2022-09-04T00:00:00","date_gmt":"2022-09-03T21:00:00","guid":{"rendered":"http:\/\/2023eleusis.eu\/mystery-22_straw-falling-on-concrete-floors-kostis-velonis-2\/"},"modified":"2022-11-18T15:52:03","modified_gmt":"2022-11-18T12:52:03","slug":"mystery-22_straw-falling-on-concrete-floors-kostis-velonis-2","status":"publish","type":"post","link":"https:\/\/2023eleusis.eu\/en\/mystery-22_straw-falling-on-concrete-floors-kostis-velonis-2\/","title":{"rendered":"Mystery 22_Straw falling on concrete floors | Kostis Velonis"},"content":{"rendered":"\r\n<p><strong>2023 Eleusis European Capital of Culture, <\/strong>in collaboration with the <strong>Aeschylia Festival 2022<\/strong>, presents the <strong>in situ visual arts installation \u201cStraw falling on concrete floors\u201d <\/strong>by internationally renowned visual artist <strong>Kostas Velonis<\/strong>, at the courtyard behind the open theater of the <strong>Old Olive Mill<\/strong>.<\/p>\r\n\r\n\r\n\r\n<p>The installation will be exhibited from <strong>Sunday, August 28 to Sunday, October 23<\/strong>,while its official opening will take place on <strong>Thursday, September 8<\/strong>, at <strong>20.30<\/strong>. The installation draws inspiration from the myth of Demeter, the goddess of agriculture and fertility, and her daughter, <strong>Persephone<\/strong>. With a strict geometric delimitation that functions as a <strong>mechanism of gestation<\/strong> and <strong>harvesting<\/strong>, <strong>agricultural activities are linked to the erotic act<\/strong>. However, the erotic narrative in this monumental sculptural installation is not only underlined by the triangular shape of its structure, but is also found in the functionality of the construction. The \u201c<strong>thighs of Demeter<\/strong>\u201d function as an insect shelter with floors consisting of different recyclable materials and plants, which \u201cseduce\u201d all kinds of insects that assist in the pollination process.<\/p>\r\n<div id='gallery-1' class='gallery galleryid-8353 gallery-columns-2 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<img fetchpriority=\"high\" decoding=\"async\" width=\"1805\" height=\"2560\" src=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8847-scaled-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8827-scaled-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" \/>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\r\n<p>&nbsp;<\/p>\r\n<div class=\"wp-block-image\">\u00a0<\/div>\r\n\r\n\r\n\r\n\r\n\r\n<p><strong>With regards to the exhibition, visual artist Kostis Velonis states<\/strong><br \/>The starting point for the sculptural installation \u201cStraw falling on concrete floors\u201d is the mythological and historical tradition of Elefsina and it is part of a larger study on the tectonic composition of animism. The goddess Demeter and her daughter, Persephone, offer the ideal narrative for the merging of the inorganic with the organic element and how seemingly different entities and physical phenomena, defined by movement and immobility, animate and inanimate matter, flourishing and withering, can overlap and not work in opposition.<\/p>\r\n\r\n\r\n\r\n<p>The architectural scale of the construction connects the notion of <em>moira<\/em> as protractor measurement unit with the notion of <em>moira<\/em> as destiny and luck. The stakes of this upright and vertical anthropomorphic field do not only concern the surface of the earth and the height of a \u201cwind-friendly\u201d structure, but also address a reverse course, where height can be understood as an ultimate depth. All the agricultural activities that Demeter (earth mother) takes care of by ploughing, sowing and harvesting, also involve the chthonic element. Persephone and her stay in Hades for some months of the year reflect the continuation of a permanent existential narrative with the natural life cycle of plants as a symbol of birth, death and rebirth.<\/p>\r\n\r\n\r\n\r\n<div id='gallery-2' class='gallery galleryid-8353 gallery-columns-2 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img decoding=\"async\" width=\"1536\" height=\"1024\" src=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8899-1536x1024-1.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8899-1536x1024-1.jpg 1536w, https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8899-1536x1024-1-300x200.jpg 300w, https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8899-1536x1024-1-768x512.jpg 768w, https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8899-1536x1024-1-1024x683.jpg 1024w\" sizes=\"(max-width: 1536px) 100vw, 1536px\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon landscape'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"2560\" height=\"1707\" src=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8818-scaled-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" \/>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<p><strong>The history of Installation Art at Aeschylia Festival<\/strong><\/p>\r\n\r\n\r\n\r\n<p>In 2004, moving past the boundaries of its initial, purely performative, character, Aeschylia Festival included Installation Art as a structural element in its annual artistic programming, a fact that was embraced by the city and its inhabitants. The first visual arts installation that took place as part of the Festival was the work by Vana Xenou, entitled \u201cElefsis \u2013 Pass,\u201d which was presented in the \u201cKronos\u201d industrial complex. Since then, Elefsina has hosted various internationally renowned visual artists, such as Kalliopi Lemos, Marios Spiliopoulos, Leda Papaconstantinou, Diohante, Stephen Antonakos, Stefanos Tsivopoulos,\u00a0 Nikos Navridis, Michelangelo Pistoletto, Tarek Atoui, Emilia Bouriti, Eleni Panouklia, Danae Stratou, Aspasia Stavropoulou and Andreas Lolis. Building on this tradition, and highlighting Elefsina as an international meeting point for site-specific and site-sensitive artistic creation, the goal of 2023 Eleusis European Capital of Culture is to curate the visual installation of the Aeschylia Festival on an annual basis. This year, we are honored to collaborate with the distinguished visual artist Kostis Velonis.<\/p>\r\n<div id='gallery-3' class='gallery galleryid-8353 gallery-columns-2 gallery-size-full'><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"1707\" height=\"2560\" src=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8857-scaled-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" \/>\n\t\t\t<\/div><\/figure><figure class='gallery-item'>\n\t\t\t<div class='gallery-icon portrait'>\n\t\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"816\" height=\"1080\" src=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8938-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" srcset=\"https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8938-scaled.jpg 816w, https:\/\/2023eleusis.eu\/wp-content\/uploads\/2022\/10\/\u039c\u03a5\u03a3\u03a4\u0397\u03a1\u0399\u039f-22_\u03a6\u03c9\u03c4\u03cc-\u03a0\u03ac\u03bd\u03bf\u03c2-\u039a\u03bf\u03ba\u03ba\u03b9\u03bd\u03b9\u03ac\u03c2_PKP8938-scaled-160x211.jpg 160w\" sizes=\"(max-width: 816px) 100vw, 816px\" \/>\n\t\t\t<\/div><\/figure>\n\t\t<\/div>\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\n<p><strong>A few words about Kostis Velonis<\/strong><\/p>\r\n\r\n\r\n\r\n<p>Kostis Velonis was born in Athens. He holds an MRes in humanities and cultural studies from the London Consortium &#8211; Birkbeck College, ICA, AA (MRES) and he studies Arts Plastiques\/ Esth\u00e9tique at Universit\u00e9 Paris 8 (D.E.A). He earned his PhD from the Department of Architecture at the National Technical University of Athens and is an Associate Professor at the Athens School of Fine Arts.<\/p>\r\n\r\n\r\n\r\n<p>Velonis\u2019 sculptures explore the comic and awkward condition of the object as a projection of an anthropocentric narrative with allegories of everyday life. Throughout his work, emphasis is placed on the moral implications of error and clumsiness, as well as the gap between dreaming and the reality that thwarts it. The context of this reading is equally articulated in the \u201ccommon hearth\u201d of the public forum with a systematized vocabulary of forms and materials, suggesting modernist writing in a range of architectural typologies; from the main parts of the ancient Greek theater (stage, stands, orchestra) to the political steps and propaganda pavilions of the European avant-garde.<\/p>\r\n\r\n\r\n\r\n<p><strong>Information<\/strong><\/p>\r\n\r\n\r\n\r\n<p>Curatorial Direction:<strong> Directorate of Contemporary Art \u2013 Zoi Moutsokou<\/strong> |<strong> 2023 Eleusis European Capital of Culture<\/strong><br \/>Associate Curator:<strong> Ioanna Gerakidi<\/strong><br \/>Architectural Curation: <strong>A Whale\u2019s architects &amp; Diogenis Verigakis<\/strong><br \/>Photography: <strong>Panos Kokkinias<\/strong><br \/>Scientific and Material Contribution: <strong>Agricultural University of Athens<\/strong><br \/>Production Management: <strong>Alexandros Tiliopoulos<\/strong><br \/>Production Coordination: <strong>Giorgos Katsonis\u00a0<\/strong><br \/>Executive Production: <strong>opbo studio<\/strong><br \/>Organised by <strong>2023 Eleusis European Capital of Culture\u00a0&amp; Aeschylia Festival 2022<\/strong><\/p>\r\n\r\n\r\n\r\n<p><strong>A production of 2023 Eleusis European Capital of Culture<\/strong><\/p>\r\n\r\n\r\n\r\n<p><br \/>Venue: <strong>Old Olive Mill, Elefsina<\/strong><br \/>Duration: <strong>28\/8 &#8211; 23\/10<\/strong><br \/>Opening: <strong>Thursday 8\/9 <\/strong>|<strong> 20:30<\/strong><br \/>Opening Hours:\u00a0<strong>28\/8-19\/9 Monday-Sunday 19:00-23:00 (on days with performances at 19:00-20:30)\u00a020\/9-23\/10 Wednesday-Sunday 17:00-21:00<\/strong><br \/><strong>Free admission<\/strong><\/p>\r\n\r\n\r\n\r\n<figure class=\"wp-block-image size-large\"><\/figure>\r\n","protected":false},"excerpt":{"rendered":"<p>2023 Eleusis European Capital of Culture, in collaboration with the Aeschylia Festival 2022, presents the in situ visual arts installation \u201cStraw falling on concrete floors\u201d by internationally renowned visual artist Kostas Velonis, at the courtyard behind the open theater of the Old Olive Mill. The installation will be exhibited from Sunday, August 28 to Sunday, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":8354,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[69,1],"tags":[],"class_list":["post-8353","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","category-uncategorized"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Mystery 22_Straw falling on concrete floors | Kostis Velonis | 2023 \u0395\u039b\u0395V\u03a3\u0399\u03a3<\/title>\n<meta name=\"description\" content=\"2023 Eleusis European Capital of Culture, in collaboration with the Aeschylia Festival 2022, presents the in situ visual arts installation \u201cStraw falling\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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