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Sunday morning saw the inauguration of the Canteen art hub<\/strong> on the city\u2019s coastal front, another place of special significance. The event was honoured with the presence of the Vice-Regional Governor of West Attica, Lefteris Kosmopoulos, representatives of the sponsoring company KARPATHIOS S.A., the Deputy Mayor in charge of Sanitation, Leonidas Pappas, institutional agencies, representatives of the local community, artists, and numerous visitors. Immediately afterwards, reversing the gesture of the Opening Ceremony, where a mythical entity emerged from the Gulf of Elefsina, the action Immersion: an unexpected <\/strong>set <\/strong>was inaugurated. A sculptural structure four meters in diameter, a golden mirror, bearing the inscription-oracle \u201cI am surely not What should be, but I am a face of what is missing but Is,<\/em>\u201d began a descent to finally submerge beneath the surface of the sea that same evening.<\/p>\n\n\t\t\t\n\t\t\t\t
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Later on, Juan Sandoval\u2019s imposing exhibition <\/span>Mystery 111 Eleusis Terracotta Army<\/b>, a project of strategic importance of the WORK axis, was inaugurated. More than 2,000 handmade clay helmets belonging to local workers and labourers \u201coccupied\u201d the former paint factory, transforming industrial human history into a sculptural army. The Mayor of Elefsina Mr. Nikos Villiotis, the CEO of 2023 Eleusis Nana Spyropoulou, the General Artistic Director Michail Marmarinos, the Director of Contemporary Art Zoe Moutsokou, the artist Juan Sandoval, and Maria Tzani, one of the participants in the project, addressed the audience.<\/span><\/h4>\n\n\t\t\t\n\t\t\t\t
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That afternoon, an unexpected parade through the streets of Elefsina took place as part of the Mystery 125 <\/strong>Elefsina <\/strong>Community Orchestra & Choir<\/strong>, under the curatorship of musician Aleksandar Cari\u0107 and with the participation of 150 Elefsinians. The action culminated with a moving concert with sounds and melodies inspired by the sonic memory of the city\u2019s inhabitants, inaugurating the packed ELEOURGIKI.<\/strong> The choir was attended by members of the Children Support Centre of Elefsina \u201cFriendly Nest\u201d\u0384; the Day Care Center for People with Disabilities \u201cOloi Emeis\u201d; the 7th Elementary School of Elefsina; Cultterra; the Elderly Open Care Center of Elefsina; the music association ORFEUS \u2013 Elefsina Philharmonic, Magoula; the Orquestra Criativa de Santa Maria da Feira from Portugal; the 2023 Eleusis team; the composer and music teacher Dimitris Andronis and his students; the Elefsinian artist Aimilios Bartzis; and, of course, the residents of Elefsina and Magoula.<\/p>\n\n\t\t\t\n\t\t\t\t
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<\/p>\n
The closing ceremony concluded on Sunday evening with the final stage of the Immersion: an unexpected <\/strong>set<\/strong>. The sculptural mirror sank into the horizon and was submerged, carrying its message to the Underworld. The cycle was now completed. Persephone returned.<\/p>\n\n\t\t\t\n\t\t\t\t
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From Friday to Sunday, in the context of the first IN SITU REALITIES \u2013 Eleusis Documentary Festival<\/strong>, during its first days, films of important creators premiered at the Cine Eleusis<\/strong>, framed by important masterclasses by Filippos Koutsaftis, Menelaos Karamaghiolis and, in the following days, by Eva Stefani and Syllas Tzoymerkas. At the same time, film workshops and screenings for children and teenagers were held at the Canteen art hub,<\/strong> in collaboration with the Peloponnisos International Documentary Film Festival and the Exile Room, while the former Orfeas Movie Theatre hosted the art installation Mystery 110 Orfeas<\/strong> by Eva Stefani. The Festival continues until Tuesday 19 December. See the programme here<\/u>.<\/p>\n\n\t\t\t\n\t\t\t\t
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<\/p>\n
Furthermore, <\/span>Mystery 6 As lovely as here, it could never be in Paradise<\/b>, a lighting installation by Flux Office, was activated for the very first time at the <\/span>Old Oil Mill Factory<\/b>. Finally, throughout the three-day event, in the 10 venues and events that were inaugurated, the festive tone was set by the impressive lighting of the buildings, the sound of a saxophone, and a red ribbon, while the emblematic chimneys of Elefsina, those of the TITAN factory and the former IRIS factory, were illuminated in the colours of the European Capital of Culture. The lighting of the chimneys, as well as the sculpture that dived into the horizon of the Gulf of Elefsina, was undertaken by the distinguished Eleftheria Deko.<\/span><\/p>\n\n\t\t\t\n\t\t\t\t
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<\/p>\n
Special credit<\/b><\/h4>\n In the framework of the 2023 Eleusis European Capital of Culture, in collaboration with the Municipality and the Municipal Authority, the Ministry of Culture, the Region of Attica, and with the generous contributions of sponsors, five sites were renovated and delivered to the city of Elefsina. In particular: <\/span>Cine Eleusis<\/b> was renovated thanks to a sponsorship by HELLENIC PETROLEUM; <\/span>the <\/span>Warehouses<\/b> of the <\/span>Old Oil Mill Factory<\/b> were <\/span>renovated thanks to a sponsorship by <\/span>the National Bank of Greece; the <\/span>ELEOURGIKI Industrial Complex<\/b> was renovated thanks to a sponsorship by<\/span> the AIGEAS company; <\/span>the Canteen art hub was renovated thanks to a sponsorship by Karpathios S.A.; and the <\/span>Old Town Hall<\/b> was renovated thanks to a sponsorship by<\/span> \u039c\u0395\u03a4R\u039f\u039d S.A.<\/span><\/p>\nThe lighting on the chimneys of the \u03a4\u0399\u03a4\u0391\u039d and IRIS factories is realised thanks to a sponsorship by \u03a4\u0399\u03a4\u0391\u039d.<\/span><\/p>\nContinuing until <\/strong>January<\/strong>Mystery<\/strong> 151 <\/strong>A<\/strong> Rave<\/strong> Down<\/strong> Below<\/strong>, a group exhibition curated by Panos Giannikopoulos at the Old Oil Mill Factory<\/strong>; at the old cinema Orfeas<\/strong>; Mystery 110 Orfeas<\/strong>, a video Installation by Eva Stefani,\u00a0at the Leonidas<\/strong> Kanellopoulos<\/strong> Cultural<\/strong> Centre;<\/strong> Mystery<\/strong> 8<\/strong> European<\/strong> Eyes<\/strong> on<\/strong> Japan<\/strong>: <\/strong>The<\/strong> Return<\/strong> of<\/strong> the<\/strong> Spring<\/strong> and<\/strong> Other<\/strong> Rites<\/strong> of<\/strong> Transition<\/strong>, a photography exhibition by Antonis Theodoridis, co-organised by 2023 Eleusis and Mikiko Kikuta with the support of the EU-Japan Fest Committee; as well as the exhibition of the Elefsina Photography Club entitled “Days With Photography in Elefsina\u201d at the Old Town Hall.<\/p>\nContinuing until <\/strong>February<\/strong><\/h4>\nMystery 87 <\/strong>I My Sea Journey, I My Land Claim<\/strong> by Stefania Strouza at the Old Oil Mill Factory,<\/p>\nas well as more than 20 works in public spaces, waiting to be discovered by the audience.<\/p>\n
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Immersed in joy and gratitude, the city of Elefsina celebrated from Friday 15 to Sunday 17 December with an exciting three-day event to mark the completion of its title year as European Capital of Culture. Ten venues across the city opened their doors, hosting a rich programme of projects and events: the first edition […]<\/p>\n","protected":false},"author":4,"featured_media":50631,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[69],"tags":[],"class_list":["post-50678","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news"],"acf":[],"yoast_head":"\n
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