1.02023 ΕΛΕVΣΙΣhttps://2023eleusis.eu/en/centivahttps://2023eleusis.eu/en/author/centiva/rich600338<blockquote class="wp-embedded-content" data-secret="N41CnlncqK"><a href="https://2023eleusis.eu/en/flagship-events/raw-museums/">Mystery 29<br/>Elefsina – The Raw Museum</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://2023eleusis.eu/en/flagship-events/raw-museums/embed/#?secret=N41CnlncqK" width="600" height="338" title="“Mystery 29<br/>Elefsina – The Raw Museum” — 2023 ΕΛΕVΣΙΣ" data-secret="N41CnlncqK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); </script> https://2023eleusis.eu/wp-content/uploads/2022/10/MYSTERT29_OMO_MOSEIO-4.jpg14411080An exhibition beyond the walls of the city, which traces the key tiles in the mosaic of the phenomenon that is Elefsina so as to highlight fragments from its past and present.